Current Candy

May 21

eschergirls:

It looks like her left leg was just tacked haphazardly to the back of her right buttcheek to give us that oh so necessary boobs and butt.  Also, there’s some serious static cling going on.

Thats not even how breasts work..geeze. Broken ankle too looks like.

eschergirls:

It looks like her left leg was just tacked haphazardly to the back of her right buttcheek to give us that oh so necessary boobs and butt.  Also, there’s some serious static cling going on.

Thats not even how breasts work..geeze. Broken ankle too looks like.

[video]

“‘We Have Always Fought’: Challenging the ‘Women, Cattle and Slaves’ Narrative” by Kameron Hurley — A Dribble of Ink -

eschergirls:

I often tell people that I’m the biggest self-aware misogynist I know.

I was writing a scene last night between a woman general and the man she helped put on the throne. I started writing in some romantic tension, and realized how lazy that was. There are other kinds of tension.

I made a passing reference to sexual slavery, which I had to cut.  I nearly had him use a gendered slur against her. I growled at the screen. He wanted to help save her child… no. Her brother? Ok.  She was going to betray him. OK. He had some wives who died… ug. No. Close advisors? Friends? Maybe somebody  just… left him?

Even writing about societies where there is very little sexual violence, or no sexual violence against women, I find myself writing in the same tired tropes and motivations. “Well, this is a bad guy, and I need something traumatic to happen to this heroine, so I’ll have him rape her.” That was an actual thing I did in the first draft of my first book, which features a violent society where women outnumber men 25-1.  Because, of course, it’s What You Do.

I actually watched a TV show recently that was supposedly about this traumatic experience a young girl went through, but was, in fact, simply tossed in so that the two male characters in the show could fight over it, and argue about which of them was at fault because of what happened to her. It was the most flagrant erasure of a female character and her experiences that I’d seen in some time. She’s literally in the room with them while they fight about it, revealing all these character things about them while she sort of fades into the background.

We forget what the story’s about. We erase women in our stories who, in our own lives, are powerful, forthright, intelligent, terrifying people. Women stab and maim and kill and lead and manage and own and run. We know that. We experience it every day. We see it.

But this is our narrative: two men fighting loudly in a room, and a woman snuffling in a corner.

This is a really interesting article about the way media, fiction and narratives repeated in society shape the way we see and assume reality to be, specifically (in this case) about how narratives about women being victims, or supporting men, but not being fighters or soldiers create the idea that women never did that, and it’s only a modern new thing that we think they could, when in fact that’s not true at all.

Also, specifically relevant to this blog are the parts about how that affects us when we create stories ourselves, and can end up adding to this narrative consciously and subconsciously.  It’s the same with how women are depicted in illustrated fiction.  I honestly don’t think a lot of the boobs and butt poses, or women in bikini armor, are drawn by people consciously thinking sexist thoughts, I think they’re just doing What You Do.  This is a female character, this is just the pose we’re used to seeing women in.  We don’t think twice about drawing her like that, because it’s just how we’ve become conditioned to seeing women pose in the medium.  Same with stuff like this.  It’s how we’re used to seeing female armor, and when we think “female warrior”, our imagination just instinctively runs in the direction of what we’re used to seeing.  It’s just What You Do with female armor, and female characters, and female poses.

Since starting Escher Girls, I’ve gotten quite a lot of mail from people telling me that they never realized just how often they put their female characters in boobs and butt poses, or gave them bikini armor, just because that’s how they saw women drawn in video games and comics and never thought twice about it.  It’s just what seemed “right” to them, and that they’re now a lot more conscious of it and try to have more variety in the way they depict women, and often in ways that make more sense to the story. :)

I think it’s just important to catch ourselves sometimes and think are we creating something because this fits what we’re doing, and this makes sense, or are we just doing What You Do?  (This applies to all sorts of tropes and stereotypes too.)

Can we stop with this already?

arguing-about-abortions:

Things that are like abortion
- Abortion

Things that are not like abortion
- Slavery
- Genocide
- The Holocaust
- School shootings

(via prochoicegeneration)

Why aren’t more people freaking out about the new Venezuelan labor law?

bluandorange:

monetizeyourcat:

dancepunksnotdead:

You know, the one that gives housewives/full-time mothers a pension— wages for housework?

It’s ONLY A HUGE VICTORY FOR FEMINISM, SOCIALISM, AND WOMEN OF COLOR. Not a big deal or anything. Tumblr is mysteriously silent about this.

http://rabble.ca/columnists/2013/05/venezuelas-new-labour-law-best-mothers-day-gift

holy shit!

fucking COOL

(via militantbyexistence)

May 20

adventures in the haze: babybehemoth: Anxiety attacks are the worst because sometimes you have... -

cocobuzz:

babybehemoth:

Anxiety attacks are the worst because sometimes you have no idea why you’re crying or angry and you just think of everything wrong in your life and you can’t control it all you can do is breath in and out and cry it out

or when there is something wrong and it’s easy enough to…

When you think everything is fine but you’re shaking and terrified. You look around and nothing is right, everything is wrong and alien. No ones touching you but it feels like you’re being pressed in, it feels like you are being crushed by everyone’s presence. You realize you’re not going to make it, you’re sobbing, instead of letting out the screams that are stuck in the back of your throat and pushing against all rational thought. After all its not polite to go insane in public

eschergirls:

euniko submitted:

sexual superhero
LOL XD

Originally from Mundsen’s Bar (the comic has since been removed from the site for a reason I don’t know), and written by Martha Thomases and Valerie (D’Orazio) Gallagher, and drawn by Norm Breyfogle.

eschergirls:

euniko submitted:

sexual superhero

LOL XD

Originally from Mundsen’s Bar (the comic has since been removed from the site for a reason I don’t know), and written by Martha Thomases and Valerie (D’Orazio) Gallagher, and drawn by Norm Breyfogle.

May 19

▶ BBC World Service - Heart And Soul, A Womb is a Weapon -

Quiver Full movement aims to subjugate women and harness wombs for a ‘spiritual’ war against muslims

May 16

how to decode a person with an anxiety disorder

brttaperry:

lundibix:

This is by far one of the most important things I’ve seen on tumblr because It describes things I was not able to

Read More

Yes, I hope people can realy begin to understand these disorders, instead of play them off like you’re just having a bad day. That sort od calousness only fuels the anxiety and in some cases the co-occuring depression.

(via jamestiberius)

blackhistoryalbum:

The Supremes…..Ooh, Baby, Baby, Where Did Our Love Go???

blackhistoryalbum:

The Supremes…..Ooh, Baby, Baby, Where Did Our Love Go???